Index — 2019 / 2026
Tap any photograph to bring it into color. Each project is a collaboration — built around the client's life, then refined into form.
A contemporary office environment with a branded reception, upstairs lounge, open office, and executive office, using blue and green accents, glass partitions, warm wood, and sculptural lighting.
Headquarters for First Choice Payment Processing. A stepped, six-story massing carves cascading terraces from a glass-and-stone volume, anchored by a double-height ground floor on the street.
A mixed-use building combining a ground-floor shul with residences above. A limestone base with tall arched openings grounds a stacked red-brick volume of apartments, balconies, and a setback penthouse.
A warm, child-scaled interior for Kapayim — a community organization. House-shaped reading nooks, a soft tiered lounge, a color-banded kitchen, and a giraffe-watched play hall come together as a single playful world built around imagination, gathering, and quiet retreat.
Offices for Anchor Health at 36 Cook Street. A calm, terrazzo-floored interior balances warm oak millwork, sage-green upholstery, and soft linen volumes — anchored by a sculptural reception, an open café and lounge, and a banquette-lined dining hall set against a textural ceramic-window mural.
A Lakewood headquarters for Accela Health. Sun-filled executive offices, an open workstation floor with Bauhaus accents, a plywood-lined break room with a custom mural, and a soft tufted lounge come together as a workplace tuned for focus, collaboration, and rest.
An infill residential building on Rogers Avenue. A slim, five-story facade in warm stucco and dark stone slips between its brick and modern neighbors — each floor opening to a planted setback terrace, with tall timber-framed windows pulling light deep into the apartments.
Offices for the Toiva Uvrucha organization. A sculpted curved reception in warm plaster and fluted oak greets visitors against veined marble floors, opening to a walnut-clad boardroom and a quiet workstation gallery framed by ribbed timber shelving and softly-lit linear pendants.
An eighth-floor office suite at the W Mall for WM Livings. A sun-drenched lounge of caramel velvet sofas and a planter-edged tree sits beneath sculptural stone-paper pendants and an exposed industrial ceiling, opening past steel-framed glass doors to a fluted-oak boardroom with a custom abstract mural and a brass linear pendant. A long workstation gallery runs beside a pegboard library wall draped in trailing greenery, while a quiet private office layers warm oak millwork, bouclé lounge seating, and a sculpted pendant for focused executive work.
A separate suite at the W Mall with a distinct aesthetic — a moss-walled lounge and a library-lined executive office layer rich greenery, deep timber shelving, and tailored upholstery into a quieter, more residential workplace.
A six-story infill on Saratoga Avenue in East New York. A pale stucco street facade with crisp punched windows meets a checkered slate-grey side wall, lifted on a dark stone base that opens to a recessed entry court and ground-floor lobby tucked between its low-rise brick neighbors.
A five-story residential infill on Bailey Avenue. A warm cream stucco facade is framed by a charcoal flank and a central terracotta spine that rises through the windows to mark the entry, balanced by black-trimmed punched openings, a planted streetfront, and a recessed lobby tucked between its brick neighbors.
A facade restoration on Flushing Avenue housing Kahal Maaseh Tuvya Bra'er. A four-story body of variegated red and cream brick is set with rhythmic punched windows and limestone keystones, lifted on a pale stone base of tall arched openings that frame the shul and beis midrash entries below.
Offices for Markowits LLP. A board-formed concrete reception volume and fluted oak screen anchor the entry beneath an exposed ribbed ceiling, opening to a soft lounge of charcoal linen seating, a tan leather swivel chair, and a sculptural green canvas — all set against a full-height steel-framed window wall.
A coworking suite for Score Spaces. A backlit tiled reception desk sits beneath a warm oak slatted ceiling and trellis screen draped with trailing greenery, opening to an open workstation floor of linen-paneled cubicles, a bold typographic feature wall, and an exposed industrial ceiling tuned for focus and creative work.
Offices for jewelry maker Frankel & Co, set inside the landmark 1866 Lincoln Savings Bank at the corner of Broad & Boerum. A double-height atrium carves through the historic shell — a black-steel and oak floating stair descends past a tiled mezzanine, signed showroom, cafeteria, and shipping room to a planted zen garden, while the workstation floor below sits beneath a constellation of circular skylights between original tall arched windows.
Offices for Gesher. A long oak conference table runs beneath a recessed industrial ceiling tray and floating square pendant, framed by a back-painted teal brushstroke mural, a frosted-glass meeting room, and a soft mustard lounge chair — the brand's teal logo set against a textured ribbed feature wall.
A compact food hall interior at 31 Spencer. Warm oak millwork frames produce, pastry, beverage, and coffee zones beneath a dark exposed ceiling, while globe pendants, terrazzo surfaces, and a crisp geometric tile field turn the counter into a bright, high-energy grab-and-go market.
A four-story residential infill at 910 Intervale Avenue. A crisp checkerboard facade of white, charcoal, and burnt-orange panels is punched with black-framed windows and cantilevered timber-slatted balconies, anchored by a recessed double-entry storefront and a planted streetfront set against the Bronx skyline.
A five-story residential building in Borough Park. A warm red-brick facade is detailed with herringbone banding, soldier-course belts, and a corbeled cornice — black-railed Juliet and projecting balconies stacked above a raised stoop entry, twin brick stairs framing a recessed garden-level door beneath the central 1119 keystone.
A five-story mixed-use building at 36 Taaffe Place. A grid of pale precast concrete bands frames black-mullioned ribbon windows across a red-brick body, anchored by a tall brick entry tower with a single round oculus and a ground-floor showroom for Molteni&C | Dada — capped by a planted rooftop terrace lined with trees. The rear elevation lifts a fluted aluminum-clad volume with cantilevered angular bays over a terracotta podium of arched storefronts, twin steel stairs, and a private courtyard.
Headquarters for CTA Digital. An aerial sweep across the workstation floor sets the scale — green-cushioned task chairs, oak desks, and acoustic dividers terraced beneath linear pendants and glass-walled offices. The build extends through a double-height brick hall of steel-mullioned windows, a wood-panelled boardroom, a green-tiled meeting room, a dedicated CTA Digital product showroom, and a rust-patinated lobby with the backlit CTA logo — shown here as the original rendering paired with the built reality.
A private Brooklyn synagogue. A vaulted hall of plastered ribbed arches frames recessed bookcases of seforim and a Moorish-arched aron set within a filigreed mashrabiya screen, lit by wrought-iron chandeliers above oak benches and a patterned encaustic-tile floor — quiet, scholarly, and unmistakably devotional.
Sanctuary for the Brod Shul. A travertine-clad hall rises to a coffered walnut-and-plaster ceiling, lit by tall geometric-grilled windows that frame a central arched aron with a gilded crown, raised bimah, and bronze-railed enclosure — flanked by long rows of dark oak pews on a stone-banded floor, restrained and ceremonial.
A full interior remodel of a Monsey residence. The vaulted living room pairs sage-green walls with a cast-stone fireplace, a low platform sofa, and a black grand piano nestled beside floating oak shelves. An open dining hall extends the palette with a long white table beneath a linear crystal chandelier, sculptural mirrors above a brass-banded credenza, and sightlines back to the hearth. The kitchen layers matte cream cabinetry against a veined green-marble backsplash and counters, opening to a breakfast nook of woven-leather chairs around a round oak table. A moody home office in deep olive anchors a dark walnut desk between twin iMac workstations and a wall of books, while the children's bedroom under a gabled ceiling sets twin upholstered beds against warm oak case goods, and the family bath finishes the program with vertical teal fluting, a fluted oak vanity, and a terrazzo floor flecked in green and stone.
Offices for Teitelbaum & Co at 316 Rutledge. A blush-plastered arched reception niche frames the firm's navy heraldic crest above a pair of terracotta lounge chairs and a stone pedestal table, opening through full-height glass walls to a terrazzo-floored workstation floor on either side. A double-height lounge layers a curved rust-velvet sectional and bouclé swivel chairs on a graphic ochre rug beneath a sculptural black-rectangle pendant and tall steel-mullioned windows, while the central café and breakout zone runs a long terrazzo planter banquette beside an oak-and-terracotta kitchenette, anchored by a wave-form wood-and-steel ceiling sculpture and a navy abstract mural.
An eight-story residential facade at the corner of Sutter and Eldert in East New York. A cream stucco body is striped with charcoal piers and ribbon-banded by deep punched windows, lifted on a warm caramel-stucco base that wraps the corner — capped by a recessed dark-clad penthouse and a tall mustard-toned flank that anchors the building against the East New York skyline.
A six-story residential infill at 1058 University Avenue. A vivid orange-stucco corner volume with stacked recessed balconies cantilevers over a parking court, anchoring a charcoal-and-grey stucco body of punched black-framed windows along the side street — shown here as the original rendering paired with the built reality.
A two-story residence at 12 Summit Lane. A symmetrical taupe-stucco facade with vertical board-and-batten panels and crisp black-framed windows is anchored by a stone-clad base, twin Juliet balconies flanking a central double-door entry beneath a deep cantilevered portico, and a wide stepped stone stair rising from the drive to a manicured lawn.
A high-floor residence at 883 Myrtle. An open kitchen anchors the plan with a monolithic viola-marble island and full-height backsplash set against warm rift-oak millwork, paired with white upper cabinets and a sculptural linear pendant. The adjoining living and dining zones layer a sage-velvet sofa and bouclé armchairs against floor-to-ceiling skyline windows, beneath a cascading brass-tube chandelier over a dark-glass dining table. A tucked oak coffee bar with a flowing onyx backsplash, fluted plaster reveals, and integrated Bosch appliances completes the program.
A seven-story residential infill at 69 Hope Street in Williamsburg. A pale brick-and-stucco shaft is split by a charcoal central spine of cantilevered concrete balconies and floor-to-ceiling glazing, lifted on a dark metal-paneled base that frames the lobby entry beneath the building's signature 69 Hope mark — a quiet modern counterpoint to its low-rise industrial neighbors.
An office build for B&L Photo at 31 Spencer. The open workstation floor pairs light-oak benching desks into facing pods divided by woven grey acoustic screens and crisp white steel frames, set on a speckled terrazzo floor beneath an exposed industrial ceiling of ductwork and circular drum pendants — anchored by a sage-toned feature wall with a hexagonal moss installation and a typographic mural reading "Be the person you want to work with." A black-fluted spine wall carries a backlit PHOTO marquee into the café, where a curved oak-slat ceiling drops over a white-and-oak island ringed by terracotta stools, charcoal tile underfoot, and dark pendants above a wave-textured backsplash. Beyond an oak-batten screen, the lounge layers a black leather sectional and mustard armchairs against a graphic black-and-white pattern wall, a walnut media credenza, and a sun-flooded planted corner.
A residential interior at 55 Vernon. The entry foyer pairs a high-gloss black-and-white checkerboard floor with crisp white wainscoting, a grasscloth-upholstered wall, and a faceted antiqued mirror flanked by brass-and-glass linear sconces above a slim blackened-steel console — opening past glass-panelled oak library doors to a softly-lit stair. The open kitchen and dining hall layers a monolithic veined-marble waterfall island and rift-oak base cabinets against handleless cream tall storage and a marble backsplash, set on a wide-plank herringbone floor beneath linear magnetic track lighting and a row of black-and-white globe pendants — a brass linear chandelier marking the dining table beyond an arched opening to the sun-flooded living room.
A serene living room shaped in tadelakt-style plaster — arched windows, carved wall niches, a sculptural stone coffee table, and reclaimed wood beams come together in a sun-bleached, cave-like sanctuary tuned for slow living.